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17: 16 Ha'Ayin Het st. Ben-Harush family's Backyard
ECOLE NATIONALE SUPERIEURE DE LA PHOTOGRAPHIE ,ARLES, FRANCE | Video and Photography
Video Collection
Nothing’s gonna change my world / Laetitia Soufflet
This video collage reconstructs the song of the Beatles “Across the Universe” from 46 videos posted on Youtube showing people performing from their home. Are included in this video a few seconds of the artist’s own performance, which has also been uploaded on Youtube.
Eg�ries / Delphine Manjard
These video portraits explores the notion of distance : in time, posture, movement and space. What is seen is not seized in a photographic sense. Expressions arise and die in the stream of the breaths, smiles, looks and micro-movement of the time of the pose. Portraits are formed in the eye and the memory of the spectator.
With the support of Justine Pluvinage and Julien Fayard.
Music Box / Lilie Pinot
Music box is a video filmed on a computer screen showing a video of a dancer. The dusty screen and framing gives an undefined space and loss of information. It’s from this reinterpretation that the “poor” pixels materials arise and that sometimes the dancer and her space melts.
Welcome to my world / Annabelle Amoros
The video represents a small and very isolated village in the center of the United States, in Iowa. Contemplative landscapes portray residents locked in a quiet, calm, clean, and serene daily. The scenes, represented in a nocturnal and twilight atmosphere, illuminated by haphazard streetlights, lead us to a strange universe, where we expect something we ignore and which goes beyond our control.
Praise to the Shadow / Ricardo Yui
The shadow is the ideal material inside a ruin, because it browses it easily, by falling inside its cavities and volumes. The shadow is of a fleeting nature, in its ephemeral character, it combines by opposition with the permanent, timeless and absolute state of the ruin
In the beginning was the gesture / Ricardo Yui
This film is a reflection on the persistence of the human being development, which spreads from its Faustian will to widen the limits of the territory. While observing the power of the Man to stand out in front of landscape, the modernization is seen as a primitive gesture, which is repeated in time. The city and the landscape are territories in constant transformation and the World is defined as a theatre of choreographies that is fed by the effort. The gesture becomes the raw material of the change and transforms the World.
Photography Collection
Dark eyes / Laure Ledoux
The portraits of the Dark Eyes series have a focus on skin and fabric characteristics that have been selected by the artist’s hands. Each body is different, but all are kind and in an erotic manner they convey to the viewer the sense of touch.
Licking their vertebras / Laure Ledoux
The sense of touch is fully contended is this series where hair, fabrics and feathers reveal their extreme yet smooth and silky sensuality. Lighting becomes a gentle caress that transforms blond, dark and red preserved mantles into raw and almost lively skins.
Backyard / Olivier Sarrazin
In this city of Samara, the backyard is a space, a place of life for its inhabitants. It is a place where one spends the evenings. Often older people cross through on their way home, or to their garages, but without really stopping.
The Eve / Emilie Traverse
Since 2008, Christmas Eve is the opportunity of a photographic session that stretches the length of the meal, and that comes to replace the single family picture.
La Costa Verde / Ricardo Yui
The only truly established border in Lima was always the sea border. Nowadays, this border is being shifted. The evolution of this kind of “modernization” makes an endless fleet of trucks to converge in that scenario, discharging thousands of tons of rubble. Therefore, another kind of “modernization” completes its circle at the foot of the cliff.
The city grows and its physical boundaries are extended with its own remnants.
Cargo / Axelle Georges
3 months aboard a cargo ship "multipurpose heavy lift" Antwerp / Hamburg / Genoa / Suez canal / Emirates / Kandla (India) / Singapore / Ha�phong (Vietnam) / Shangha� / Tianjin (China) / Masan (Korea) / Yokohama (Japan) and Tokyo...
A daily with 30 sailors: Filipinos, Sri Lankans, Romanian, Croatian, Polish, German,... The Tower of Babel with its misunderstandings, his crazy laugh, its incomprehension, anger...
The Ecole Nationale Sup�rieure de la Photographie (ENSP), founded in 1982 in Arles, is the sole Fine Art School fully dedicated to photography in France.
Under the general supervision of the French Ministry of Culture, the school’s main mission is to train artistic photographers, who will acquire after a three-year curriculum, both solid theoretical knowledge and in-depth technical skills.
A singular place for experimentation, research, and creation, the school, often known as the “Ecole of Arles” has always adapted to the technical changes impacting photography media, while developing critical thinking on the image, and remaining opened to other artistic expressions.
The Ecole of Arles has always showed a great interest in partnering with the Musrara School of Photography. The occasion was beautiful enough to be seized this year with the thematic of “NO EGO” at the heart of the MusraraMix Festival.
The idea is to create an encounter enriched with differences that are encouraged and appreciated. The Ecole of Arles is very distinctive and proud of the originality of its commitments, and has never ceased to encourage a progressive awakening to every form of self-expression, or to help individuals to find themselves within the immense panoply of possibilities offered them.
As a result we find here, through the selection of 10 recent alumni and students from the School of Arles, a panorama of nascent creativity.
The presence of the School of Arles at the MusraraMix, through the videos and photos, is to be seen as an invitation for the artists to share, discuss, discover and react.
R�my Fenzy
Director
Ecole Nationale Sup�rieure de la Photographie
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