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Workshops @ Musrara Mix 13

 

Sonice Development (Germay, Berlin) 26-27.5

„Egolon” - where cast-off habits go
Individual cast-off habits and their stories are collected. In a four day workshop they are transferred into narrative kinetic sculptures. In a collaborative process these sculptures are set into relation. This results in a coherent scenography, the Egolon.
The workshop is open only to the New-Media students.

 

Joe Pignato (USA) 28.5 14:00, Lecture Hall, Shivtei Israel 22

Distance collaboration, New notions of musical community:
Discuss distance collaborations from the past year or so, including. All Over, Foolsbook, your piece, a recent piece titled Triologs, and others in the works. This talk would focus on the philosophical underpinnings of such pieces, the technical and logistical considerations, and the implications for forming musical collaborations and musical communities.

 

Arnaud Rivière (France) 29.5 14:00, Lecture Hall, Shivtei Israel 22

In this artist talk Arnaud Rivière will share some reflection on the wide palette of his activities as an experimental musician. Active in Paris as part of a network of curious and adventurous musicians and artist, Rivière has been present at some interesting cultural crossroads. He plays a self made unstable system. He collaborates with improvising musicians, electronic artists, sound explorers, noise musicians and is involved with an assortment of projects. He has been part of the curatorial and organizational team behind Paris' Sonic Protest festival, which has been in place for a decade.

 

KLUB7 (Germany, Berlin) 29.5 16:00, Sport field, Shivtei Israel 22

A chalk-graffiti workshop. open for youth and adults.

 

Markus Huber- Transmediale Festival 30.5 14:00, Lecture Hall, Shivtei Israel 22

Art Festivals in a Networked Age
This presentation and open discussion will introduce the transmediale, festival for art and digital culture. transmediale is a Berlin-based festival and year-round project that draws out new connections between art, culture and technology.
The activities of transmediale aim at fostering a critical understanding of contemporary culture and politics as saturated by media technologies. Since the kick off as a VideoFilmFest 27 years ago transmediale constantly developed, changed and reassembled. The presentations aims to evaluate and question the format of an art festival today and raises the question how curatorial practices, forms of organization and production change in networked cultures.
Is the format of a festival designed to either vanish or become institutional? How could alternatives look like? What role has the community and the artists in such a development?

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